Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

by Mel Bay. For all guitars. Modern Guitar Method. Acoustic music, solos & duets. Level: Beginning. Book. Method. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

By William G. Andrews and Molly Sclater. Textbook - General. Book. 708 pages. Published by Alfred Publishing.

(The Official Theme of the 2002 Winter Olympic Games). By John Williams. Arranged by John Moss. Score and full set of parts. Young Band (Concert Band). Grade 3. Published by Hal Leonard.

Learning Chords / Playing Songs. By William Bay. For Guitar (All). Methods. First Lessons. All Styles. Level: Beginning. Book+DVD. Size 8.75x11.75. 40 pages. Published by Mel Bay Publications, Inc.

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

By William Bay. For trumpet. Technique. Building Excellence. All Styles. Level: Intermediate. Book/CD Set. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.

Learning Notes / Playing Solos. By William Bay. For Guitar (All). Method. First Lessons. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 40 pages. Published by Mel Bay Publications, Inc.

By William G. Andrews, Molly Sclater. Textbook - General. Book. 352 pages. Published by Alfred Publishing.

Descant Recorder and Piano - Advanced

SKU: FP.FTJ05

Composed by John Turner. Sheet Music and Books. A wonderful short piece by Forsyth recorder editor John Turner, written for the talented young Japanese recorder player Hidehiro Nakamura. Classical. Score and part. Forsyths Publications #FTJ05. Published by Forsyths Publications (FP.FTJ05).

ISBN 9790570503919.

John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth century concert work for a fipple flute), Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide, and a companion work, Three Salutes, was published in 2013. He was made a Fellow of the Royal Northern College of Music in 2002 for his services to British music and is a Distinguished Visiting Scholar of. Manchester University.

Guitar - Beginning-Intermediate

SKU: MB.20875M

Composed by William Bay. This edition: perfect binding. Squareback saddle stitch, Solos, Gospel/Sacred, Tunebook, Christian. Encyclopedia. Style. Book and online audio. 136 pages. Mel Bay Publications, Inc #20875M. Published by Mel Bay Publications, Inc (MB.20875M).

ISBN 9780786691814. 8.75 x 11.75 inches.

A collection of all time Gospel favorites scored for guitar melody. Chords, tablature and lyrics are included along with a companion audio. A Glorious Church; All the Way My Savior Leads Me; Angel Band; Blessed Assurance; Blessed Quietness; Death Has No Terrors; Drifting too Far from the Shore; Every Bridge is Burned Behind Me; Every Day and Every Hour; Glory to His Name; Hallelujah, We Shall Rise; He Abides and many more. Includes access to online audio.

Guitar - Beginning

SKU: MB.21690M

Composed by William Bay. Saddle-stitched, Blues, Improvising/Licks, Rock. Modern Guitar Method. Style. Book and online audio. 24 pages. Mel Bay Publications, Inc #21690M. Published by Mel Bay Publications, Inc (MB.21690M).

ISBN 9780786691142. 8.75 x 11.75 inches.

This book/audio teaches you how to hear and play Groove Time. Tunes include: Evil Ways; Blue Tuesday, Truckin; Blues Drive; She Done Me Wrong; and Coastin. Two improvising scales are shown for every tune, and each selection presents a different blues style for improvising. Blues tunes are presented in the keys of C, Am and G. You can also play along with the companion audio which features an excellent blues band playing all of the back-up parts. Includes access to online audio.

The Washington Winds, Edward S. Petersen, conductor A collection of outstanding compositions composed with young musicians in mind. An ideal model of tone quality, balance, blend, phrasing, and intonation for all developing band musicians. Let Evening Come, Robert Sheldon Northern Lights, Larry Neeck Antigua Bay, Ed Huckeby The Pinnacle , David Shaffer Park Street Celebration, James Swearingen Sirocco, Jerry Williams High Falls Overture , James Swearingen Tribute and Triumph, David Shaffer The Pioneer's Passage, Robert Sheldon Foxfire March, Ed Huckeby Deck The Halls With Dazzling Drummers, Jerry Williams Champions of Freedom March, Ken Harris Wyndham Variations , James Swearingen Battle Hymn Epic, Tim Loest Taco Time, Ed Huckeby Monster Rock, Tom Molter Of Kings and Christmas, Larry Neeck When The Koalas Do The Conga With The Kangaroos, Len Orcino Leader of The Class, Ed Huckeby Northpointe Fantasy, James Swearingen

SKU: GI.G-9759

A Companion to the Musician's Soul. Composed by James Jordan. Evoking Sound. Music Education. 208 pages. GIA Publications #9759. Published by GIA Publications (GI.G-9759).

ISBN 9781622772629.

Rehearsals should be structured in a way that trusts that human beings are truly the miracle workers and that if we work on being human, the magic of this thing called “moral acoustic” will resonate in a powerful, honest, and compelling way. For at the very end of the day, our goal in harnessing the energy contained in a moral acoustic is to create the most honest and direct communicative voice possible—a voice that can change lives and enrich our humanness just by hearing it, feeling it, and being touched by its ‘moral acoustic.’ —James Jordan, from Chapter 4 This volume is a continuation of the journey James Jordan began in his now iconic book The Musician’s Soul. In The Moral Acoustic of Sound, Jordan explores and defines those factors that create a “moral acoustic”—those human resonances among and between musicians. This book delves into the nature of authenticity and honesty in choral sound and how conductors and teachers, through these new understandings, can draw forth that which is living within each ensemble of musicians no matter their age or experience. Using the power of metaphor, this book attempts to provide answers to unlock the magic and mysteries in music making and human expression. Specific to the journey of The Moral Acoustic of Sound: Understanding trust between and among musicians The relationship of intonation and color as a function of moral acoustic Humility and its role in music making Thatching within an ensemble Enfleshment as a vital part of music making Metaphors that guide conductors to deeper listening Fostering generosity in music making Grammy-nominated conductor and music psychologist James Jordan is Professor and Senior Conductor at Westminster Choir College in Princeton, NJ, where he conducts the acclaimed Westminster Williamson Voices and the Westminster Schola Cantorum. He is also Artistic Director and Conductor of The Same Stream (thesamestreamchoir.com). He heads two of the leading programs in the world for mentoring conductors, serving as Director of the renowned Westminster Conducting Institute and Co-Director of the Choral Institute at Oxford, held annually at St. Stephen’s House, Oxford, UK.